Add blowup sharpness section
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@ -106,4 +106,21 @@ But for each position of the camera (except the 1:1 position) there are two corr
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The printer gate may hold 8mm film and the printer camera 16mm, or vice versa.
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The printer gate may hold 8mm film and the printer camera 16mm, or vice versa.
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With a `M = 2` setup an 8mm original frame is photographed onto a whole 16mm frame.
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With a `M = 2` setup an 8mm original frame is photographed onto a whole 16mm frame.
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With an `M = 1/2` setup a whole 16mm original frame is photographed onto an 8mm frame.
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With an `M = 1/2` setup a whole 16mm original frame is photographed onto an 8mm frame.
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Conversion between any two film gauges is possible this way, provided the frames have the sane proportions, as 8mm, super 8mm, 16mm, and some 35mm do.
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Conversion between any two film gauges is possible this way, provided the frames have the sane proportions, as 8mm, super 8mm, 16mm, and some 35mm do.
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## BLOWUP SHARPNESS
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A 16mm picture of a flea can be just as sharp as a 16mm picture of an elephant.
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But a 16mm picture of an 8mm picture cannot be expected to be as sharp
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as a 16mm picture of a 16mm picture.
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Pictures differ from things in having very limited detail.
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The 16mm blowup, even if it preserves all the pictorial detail of the 8mm original, spreads it out, so the blowup is less sharp absolutely than the original.
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Under extreme magnification--a microscope objective could be the printer lens--pictorial detail is diffuse and the underlying natural thing, the emulsion, is all that could be photographed sharply.
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But the grains are too small to be sharply imaged with light.
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Here even the natural thing has been photographically exhausted.
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An 8mm original blown up to 16mm and projected will appear sharper than the same 8mm original optically printed onto 8mm and projected.
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If the blowup optics are good this is even true when the 1:1 printing is by contact.
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Likewise for 16mm to 35mm.
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(This is all due to the print film being in effect twice as sharp and half as grainy in a bigger frame.)
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